Country: Germany
Director: Pierre Sanoussi-Bliss
Starring: Pierre Sanoussi-Bliss, Matthias Freihof, Dieter Bach
Language: German with hardcoded English subtitles
Video: 592 x 336, 965 KBit/s, 25 fps, PAL, MPEG4
Audio: Stereo, mp.3, 48,000 KHz
Length: 01: 35 : 29
User comment on IMDB:Americans have said at gay film festivals that this is the first AIDS musical since "Zero Patience." Such comments illustrate the challenge of understanding this complex drama poses to most audiences outside Europe. Away from the continent, few people probably know or care whether Berlin has been the capital of a united Germany for over a decade, or whether there was ever a wall, and so on. It's useless to expect these audiences to understand the issues and nuances in this film, even the upscale, well-educated (by American standards) film festival crowd I saw the film with.
It's great that national cinemas are making films as specific to their cultures as Americans do. Even if this means limiting the box office. US films assume audiences worldwide know American culture (generally true), while US audiences know very little (if anything at all) about other cultures. So, though the opportunity to see a film like ZURUCK... is rare here, it is a banquet for us who are able to understand and savor it.
This drama is best understood by the European & German gay or alternative lifestyle communities, also by intellectual "Ossies," and ideally by former East Berlin gay and HIV/AIDS activists.
Having said that, if you fit the description above; or like two of the film's main character, you are a foreigner immersed in Berlin's recent and present position as Europe's edgiest capital city, this drama is a feast.
The plot crams in many aspects of contemporary unorthodox Eastern Berlin (Prenzlauer Berg) life: East German nostalgia (its 70s & 80s music, attitude, architecture), the local gay/alternative scene, and Berlin's cabaret tradition.
But the film focuses on the deeper issues of living with HIV/AIDS in the present post-antiviral cocktail era, rampant alcoholism among twenty and thirty something young adults, not to mention the fragile and transitory nature of friendships and relationships these days. The latter two are the themes I believe most audiences will identify with.
The ensemble cast is outstanding, and the film has an unusual gritty realism. Unusual but important problems we are living with are addressed and well explored. This is a feature movie you are likely to see only at a gay film festival if you're outside Germany. But if the issues interest you, this film is not a bad way to spend 100 minutes.
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